I am now teaching on Tuesdays at The Hive Rooms studios in Horley. This is a new a exciting studio complex with three rehearsal rooms and a recording studio. To be followed soon by three more rehearsal rooms, a second recording studio and a live performance space.www.thehiverooms.com
Keyboard player and MD John Maul is working on an educational project aimed at music students looking to make a career out of the Music Business . It will include helpful articles and informal interviews with professional musicians, giving candid advice on how to be a musician and survive as one.To kick off, he has uploaded two interviews. Drummer – Barry Cook and Sax player – Jon Shennoy. Just click on the link below and press ‘play’.
Two of the brass section from Jools Holland’s band were raving to me about Gilson’s new Cambridge drum set.I was intrigued, so I contacted Bob their Sales Director and he popped over with some snares for me to try.The quality of construction is second to none and they sound amazing.Bob lent me this 4.5” beech shell snare. I took it into my show, Five Guys Named Moe and it sounded great.Here’s a quick video recorded with a Shure 57 on top and two overheads. Check out their website www.cambridgedrums.co.uk
WARNING: Our new trailer contains dangerous levels of delicious soul, on the money moves and an atmosphere that ZINGS! But that’s nothin’ compared to seein’ it live at the Marble Arch Theatre! Five Guys Named Moe – the 5 star musical.
We have lost two incredible drum teachers recently, and two people who have been big influences in my career.
Jim Blackley wrote many books including Syncopated Rolls for the Modern Drummer. I was lucky enough to spend two days with him when I toured Canada about 15 years ago.
Bob Armstrong was my teacher for many years. He was the go to teacher the majority of Pro players for many years. When I first went to see him I’d been playing professionally for several years, I came away from my first lesson realising I didn’t know the first thing about technique. He opened my eyes to so much. When I saw him earlier this year we promised to get together for a cup of tea, unfortunately it was not to be.
There is a tribute to him on 17th September with many of his old pupils playing. Tickets from PMT Music Romford.
One of my pupils came with me to the Strictly tour I am currently working on. He was surprised how quickly the kit was set up and mic’d ready for sound check, so I thought it would be good to show you a few tips.
My whole kit goes into two flight cases. This is important, as all the set, lights, staging and backline (keyboards guitars amps etc) are toured in an articulated lorry. The first flight case takes the bass drum, floor tom, snare and cymbals.
The second case takes the small toms, extra snare, stool top, bass pedal and spares in the bottom, then a tray fits in the top to take all the stands. I only have to open and close the legs of the stands as the case is long enough to leave the stands at the desired height, saving a large amount of set up time.
All the stand heights are marked with a Sharpie, just in case I need to alter the height slightly. Some theatres have a raked stage (a slope towards the audience) so a small amount of adjustment may be needed on some gigs.
My riser on the stage has carpet stuck to the top. I mark where the stands go with chalk or tape, this way I place everything on the stage in the same spot every night. This helps the crew if they are setting up the kit for me, I also number each stand and the riser with a Sharpie.
With 45 venues on the tour it’s important you have a system that means you are not holding up the sound check. Stands